The film, unfortunately, has not been thought out fully.
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The director lapses to repelling crassness at such times. Here again, her introductory scene with Aamir, where he tells her ''aandhi ho kya'', is too crude for comfort. She has this way of staring just a fraction too long at one spot and that's when you realise she can't see. Here her blind girl role is a subtly delineated one. Of the cast, Rishi Kapoor is competent as always, Kajol proves again that she's an actress first. Was the shayari-spouting tourist guide a disguise or is the terrorist a disguise? Aamir's character doesn't seem to be clear in its focus. The Jatin Lalit numbers don't hold you except for 'Chand sifarish' and the rain song. If one could just watch audiences reactions, they'd provide a real review of every film. That the audiences start walking out even before the last scene has ended is the final expression of their indifference. And the whistles that greeted Aamir's entry turn to hoots.Įvery song sees people walking out and the second half is so long and repititive that everyone is seen squirming in their seats., or chatting on their cell phones. The quick twists and turns, the new Aamir who doesn't seem too comfortable playing terrorist and most decidedly uncomfortable with this new role, when he meets Kajol again throw audiences out of gear. Kirron Kher as the frenetic mother, who is hell bent on her daughter finding a husband. The director is influenced by too many successful films - the Karan Johar-like patriotic song in the beginning, the two-faceted Aamir a la Hrithik Roshan in Kaho Na Pyar Hai. This is almost a deliberate misleading of the audiences. Lara Dutta, incidentally, sailed through her brief visit here so competently that she is remembered long after the film is over. There's even an endearing scene with Lara Dutta to confirm this Romeo status. The hero's character has given no inkling of anything amiss except that he is a Romeo with a girl in every port. But what happens? A rogue like Aamir is suddenly revealed to be a terrorist. One settles back in one's seat to enjoy the rest of the film. This works so well that the two really seem charmed by each other and the audience by them. As if both had left themselves open to being proved wrong about the negative opinions they had held about each other.
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If Kajol and Shahrukh appear too comfortable together in the Aamir/Kajol pairing, one sees a coming together of adversaries and their relationship is a literal discovery of each other. In fact, this segment provides a platform for both Kajol and Aamir to show us what performance is all about. The first 45 minutes of the film provide a kind of romance 'Mills and Boon' lovers would sigh over. Did Aamir get so carried away by the so-called ideology that he by-passed them?Ī blind girl Zooni Ali Baig brought up by doting parents, who have never tried to check if her sight could be set right comes to Delhi for a Republic day function and falls in love with a tourist guide, Rehaan, played by Aamir with disarming appeal.
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The foolish errors are all part of the script itself.
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Unfortunately, the picky Aamir picked a flawed one this time. First expectation - if Aamir does a film, the script must be flawless. what we get is a systematic breaking of expectations. After titillating interest that an irked Aamir Khan was finally doing a film for the Yashraj Banner, after talking about this being Jatin/Lalit's final film as a pair. After raising expectations about the Aamir/Kajol jodi being seen for the first time.